jamescharisma.com

James Charisma

Mighty, and despair. Mighty, and despair. Abstract magazine, march 2013. Abstract magazine, march 2013. Abstract magazine, march 2013. PO Box 11825 Honolulu, HI 96828.
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JAMESCHARISMA.COM HISTORY

This web site jamescharisma.com was first documented on March 28, 2009. This web site will expire on March 28, 2015. It is now eight hundred and forty-seven weeks, twenty-four days, twenty hours, and thirty-nine minutes young.
REGISTERED
March
2009
EXPIRED
March
2015

WEB PAGE PERIOD OF EXISTANCE

16
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2
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24
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Planet KTUH

J Cole - False Prophets. Slum Village - Fall In Love. Year of The Ox - YOX. De La Soul - Stakes Is High. Creed Chameleon - Everythings Happening.

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CONTACTS

Charisma Industries

James Charisma

PO Box 11825

Honolulu, Hawaii, 96828

United States

1.8087835243
charismaindustries@yahoo.com

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James Charisma

DESCRIPTION

Mighty, and despair. Mighty, and despair. Abstract magazine, march 2013. Abstract magazine, march 2013. Abstract magazine, march 2013. PO Box 11825 Honolulu, HI 96828.

CONTENT

This web site states the following, "Abstract magazine, march 2013." Our analyzers noticed that the web site stated " Abstract magazine, march 2013." The Website also said " Abstract magazine, march 2013. PO Box 11825 Honolulu, HI 96828."

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My Thoughts

Saturday, June 8, 2013. Once I get my blog posts moved over, I will be shutting this one down. Sunday, December 30, 2012. Celebrando el Nacimiento de Cristo. Porque no envió Dios a su Hijo al mundo para condenar al mundo, sino para que el mundo sea salvo por él.

Jamie Lyons

Hunters Point Shipyard, San Francisco. Hunters Point Shipyard, San Francisco. 116 at The Wave Organ, San Francisco. A site specific performance based on Sophocles fragment of his lost play Nausicaä at Pillar Point, with The Chocolate Heads and The Iota. A site specific performance based on Sophocles fragment of his lost play Nausicaä with The Chocolate Heads and The Iota.

Jim Winn-Artist-Equestrian Wood Carving Sculptures,Pen Ink Prints, Trophy Cases

The main influence of my work is the beauty of horses and the many diverse equestrian disciplines. I research my subject well, in particular, paying close attention to the intricate communication between horse and rider. I make them as competition accurate as possible while taking a little artistic license. Details such as reins are in some cases carved separately but are generally carved from the same piece of wood that the subject is carved from. For more information, click here.